Hiking in France 3: Goldsworthy Refuges d’Art

“There is this form I can’t stop making which is really snakelike, but I often think of it as a river.  It’s the idea of fluidity that is the connection, but I’m not really talking about  a river either.  It’s the movement that interests me.”
— Andy Goldsworthy, Wall

Andy Goldsworthy clay wall sculpture in the Vieil Esclangon Art Refuge

On Days 3, 4 and 5 of our hike, we saw five Goldsworthy works installed in Refuges d’Art, small buildings or shelters, where individuals are allowed to camp overnight.  Our hiking trails took us up and down mountains, across rivers and creeks, with some of the most spectacular scenery of my trip.

We returned to the wild valley of Vancon and hiked to the Church in the abandoned hamlet of Forest.  The ruins of the church were restored to house a Goldsworthy wall sculpture, another recessed elliptical space.  In contrast to the one at the Chapelle Saint Madeleine, this one was a light hole in a dark wall.

Goldsworthy installation in the Church of Forest

Old crucifix over a grave outside the church

Goldsworthy wall sculpture

Lunch break and nap in the hamlet of Forest

We hiked high in the mountains along an old “tax trail” to the abandoned village of Faissal.  We seemed to climb ever higher, with grand views of the distant Alps and curious mountain goats watching us from the summit of an adjacent mountain.  And then down, down again.

“Hill and valley followed valley and hill.” — Robert Louis Stevenson, from Travels with a Donkey in the Cevennes

Hiking is much too absorbing to allow much thinking, I’ve found.  I moved through the day, step by step, always alert to where I was planting my feet.  I didn’t want to slip on a loose rock and fall or hurt myself.  I was very much in the moment, a satisfying feeling.

Blue doors on ruin, the village of Faissal

The refuge at Vieil Esclangon

Goldsworthy river-like clay sculpture

Goldsworthy sculpture with x-ray effect

The Refuge of Eschuichiere featured two rooms with wall art fashioned by Goldsworthy of rock with natural lines of contrasting color.

“Stretching out lines that already exist interests me more than imagining new ones.  I have made lines that explore and follow the contours of a rock, the edge of a river, the growth of a branch, the junction between house and street . . . The intention is not just to make a line, but to draw the change, movement, growth and decay that flow through a place.”
— Andy Goldsworthy, Wall

At the end of Day 5, our guide Eric drove us in the van to the farm Belon, which was formerly owned by one of the leaders of the French Resistance in WWII.  In the basement we found several of Goldsworthy’s stone arches.  One of our hikers, Michele, mused about the significance of this “underground” space and its resonance with the “underground” resistance movement.

I found the entire five-day hiking experience very rewarding.  Not only did I get to see some Goldsworthy art that I would never have been able to find on my own, I also enjoyed the company of some French natives on their home turf.  It made me realize how difficult it is for me when travelling to spend ordinary time with local people.  Typically I am staying in hotels, eating in restaurants, and going to tourist sites — with a bunch of other tourists.  With this guided hike, I had the unusual (for me) opportunity to keep company with some interesting French people, share home-cooked meals at farm tables with them, and even sleep in shared rooms in auberges and gites.  I found that they are great conversationalists (even though I could not understand or speak French, they made an effort to speak English from time to time, and I watched their lively conversations with interest), they were enthusiastic eaters and enjoyed leisurely meals together, they were well read, and they liked President Obama!