An exhibit featuring Georgia O’Keeffe paintings just opened at the Tacoma Art Museum. Her paintings, which focus on some of her New Mexico still lifes, are juxtaposed with those from Pacific Northwest artists. This exhibit has travelled here from Indianapolis and the Tacoma Art Museum is the only West coast venue for this show. So it is well worth a day trip to check it out.
Georgia O’Keeffe (1887−1986), Yellow Cactus, 1929. Oil on canvas, 30 × 42 inches. Dallas Museum of Art, Texas. Patsy Lacy Griffith Collection, Bequest of Patsy Lacy Griffith. 1998.217. (O’Keeffe 675) © 2015 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York. Courtesy International Arts ®.
I like this article in which the Indianapolis Museum of Art talks about still life painting:
Rarely do we think of still life painting as depictions of a specific area, which is why Georgia O’Keeffe and the Southwestern Still Life is such a unique and important exhibition.”
I am very fond of Georgia O’Keeffe’s art, and I was particularly pleased with this new exhibit which featured several of her paintings that I had never before seen in person or reproduced in books such as a cockscomb and a wooden virgin. Here are some of the other new (to me) paintings:
Georgia O’Keeffe (1887−1986), Mule’s Skull with Pink Poinsettia, 1936. Oil on canvas, 401⁄8 × 30 inches. Georgia O’Keeffe Museum, Santa Fe, New Mexico. Gift of The Burnett Foundation. 1997.06.014. (O’Keeffe 876) © 2015 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York. Courtesy International Arts ®.
Georgia O’Keeffe (1887−1986), Deer Horns, 1938. Oil on canvas, 36 × 16 inches. Collection of Louis Bacon. (O’Keeffe 941) Photography by Christie’s Images. © 2015 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York. Courtesy International Arts
You can read more about this exhibit from this article in the Los Angeles Times.
While you are at the Tacoma Art Museum, be sure to wander through its new addition, which houses “Art of the American West: the Haub Family Collection.” It includes another new (to me) O’Keeffe painting, Pinons with Cedar, 1956.
Georgia O’Keeffe (American, 1887 ‑ 1986)
Piñons with Cedar, 1956
Oil on canvas
30 × 26 inches
Tacoma Art Museum, Haub Family Collection, Gift of Erivan and Helga Haub, 2014.6.91
© 2014 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York
Soulful Emptiness
October 4, 2014
“Soulful emptiness is not anxious. In fact, power pours in when we sustain the feeling of emptiness and withstand temptations to fill it prematurely. We have to contain the void. Too often we lose this pregnant emptiness by reaching for substitutes for power. . . . The soul has no room in which to present itself if we continually fill all the gaps with bogus activities.”
— Thomas Moore, Care of the Soul
Where Grace Enters In
September 29, 2014
Day Trip to Tacoma for Eric Carle Exhibit
June 1, 2013
“We have eyes, and we’re looking at stuff all the time, all day long. And I just think that whatever our eyes touch should be beautiful, tasteful, appealing, and important.”
— Eric Carle
In keeping with my resolution to drive less, my niece, a friend, and I made a day trip to Tacoma by bus to see the Eric Carle exhibit at the Tacoma Art Museum. Carle is a well-known, award-winning children’s book illustrator, so I have been familiar with his work for a long time. I enjoyed reading The Very Hungry Caterpillar and Brown Bear, Brown Bear, What Do You See to my daughter when she was very young.
I was so enamoured of Carle’s illustrations that I adapted some of them into applique for a handmade quilt. Carle’s stylized, simple shapes were perfect for copying as appliqued patterns.
The Tacoma exhibit, “Beyond Books: The Independent Art of Eric Carle,” presented another side of Carle as artist. It included some of his wood block prints, framed paintings, amazing works on painted Tyvek, and even handmade greeting cards for (lucky) friends. Now I am even more impressed by Carle’s talents.
The exhibit runs through July 7, 2013.
Inviting Reflection and Taking Action
August 14, 2012
“Anything that invites reflection becomes a point of departure.”
— Maxine Kumin
I don’t take enough time for reflection. It seems so easy to breeze through my days doing the work I’m paid to do, getting lost in a book, being entertained by television shows and DVD movies. But after a while, that’s just not enough. I need to transform all this passive input into action. I need to find meaning, to work with my hands and make something.
There’s a constant need to feed the soul, but then also to create something out of that nourishment.
“Must be out-of-doors enough to get experience of wholesome reality, as a ballast to thought and sentiment.”
— Henry David Thoreau, Journals, November 4, 1852
Do you feel that, too? What do you do to invite reflection? To get grounded again?
Blankets as Art: Marie Watt Exhibit at Tacoma Art Museum
August 7, 2012
I took advantage of a free-admission day on Saturday and traveled by bus to the Tacoma Art Museum to see Marie Watt’s exhibit about blankets and stories. She elevates ordinary, everyday blankets to the level of art. Two of the most intriguing pieces were simply stacks of used and donated blankets. For the installation, Dwelling, donors wrote stories about their blankets on tags. Among the most poignant tales was Peter Kubicek’s — he donated his blanket from a Nazi concentration camp.
Blankets can be pregnant with meaning — think of security blankets, kids forts, warmth and comfort, picnics . . . Blankets can hide things and cover flaws and ugliness — think of blankets of snow or fog.
Here are some more photos:
Daytripping Tacoma
October 8, 2011
I took my sister and niece to Tacoma so that they could see some Dale Chihuly glass sculptures. They were fortunate to be able to see the Dale Chihuly’s Northwest exhibit at the Tacoma Art Museum before it closed. I feel lucky to live so close to Tacoma and its glass art, which I’ve seen several times and have never tired of.
Dale Chihuly’s Northwest: Glass, Baskets, and Blankets
June 14, 2011
Tacoma is proud to claim glass artist Dale Chihuly as one of its own, and the Tacoma Art Museum is currently featuring a new exhibit that celebrates Chihuly’s Northwest influences. The museum has relocated Chihuly’s vast collection of Native wool trade blankets and photogravure portraits by Edward S. Curtis from Chihuly’s Boathouse in Seattle, and they form an impressive backdrop to Chihuly’s iconic glass art. Native American baskets from the collections of the Washington State History Museum stand side by side with Chihuly’s glass forms, which were inspired by the historic containers.
Here are some photos from the exhibit:
A Collaboration Between Artists and Florists
June 13, 2011
The Tacoma Art Museum’s weekend-only exhibit, Flora & Fine Arts, paired flowers and art in a uniquely collaborative way. About 30 local floral designers used works of Pacific Northwest art from the museum’s permanent collection as inspiration for some dazzling floral arrangements. This idea has apparently been executed previously by the Museum of Fine Arts in Boston, the de Young Museum in San Francisco, and the Minneapolis Institute of Arts.
I felt so lucky to have been able to see this exhibit with my gardener friend, Carol. I loved the florists’ interpretations. Their arrangements felt like natural extensions of the artwork, a true sharing of vision. Here are some photos:
Do You Admire Enough?
April 10, 2011
“Admire as much as you can; most people do not admire enough.”
— Vincent Van Gogh
I admired Dale Chihuly’s glass vessels on a recent trip to the Tacoma Art Museum. What have you admired lately?