NYC Vignettes: The Cloisters
November 27, 2013
The first time I visited NYC with my husband, we simply ran out of time before we had a chance to trek north to The Cloisters, a part of the Metropolitan Museum of Art. This time one of my top priorities was to remedy that oversight. I took the subway train to the 190th Street Station and disembarked to face a lovely 10- or 15-minute walk through the grounds, which overlook the Hudson River, to the Cloisters Museum entrance.
The Cloisters is a collection of medieval art and architecture. The various cloister walks make you feel as if you were back in a medieval monastery or nunnery. I loved the stained glass windows and their reflections, the massive and somber stone walls, the unicorn tapestries and madonna statues.
And as stunning as the art and architecture was, the most impressive part of my visit was a sound installation in the Fuentiduena Chapel. This celebration of sacred music, called The Forty Part Motet by Janet Cardiff, featured the Choir of England’s Salisbury Cathedral. Each voice was recorded separately and then played back through 40 speakers placed in a oval-shape. The music, a blend of sounds, resounded and resonated in the small chapel. I had first read about this special sound exhibition in Gwarlingo, a blog I follow. The way she describes her experience listening to Cardiff’s work inspired me to make a special effort to include The Cloisters on my NYC itinerary. That post also includes a link to the music, and I urge you to take 10 minutes or so to listen to the full cycle. The music is the best part of today’s post, I assure you!
I did manage to do a little sketching on this trip, and here is my work from The Cloisters:
Haarlem Impressions 2: Grote Kerk
May 11, 2013
“I soon realized that no journey carries one far unless, as it extends into the world around us, it goes an equal distance into the world within in.”
— Lillian Smith
Certainly one of the things that helps to put us in the frame of mind for an inward, spiritual journey is the awesome architecture of soaring cathedrals. I suppose one could plan a trip doing nothing but visiting the churches and holy places of the world. (Is there even a European city or village without a church at its center?) I find their interiors — with the exalted vaulted ceilings, filtered light entering through stained glass windows, and whispered conversations — an uplifting environment. And I’m moved to try to capture this expansiveness in my photos of these spaces.
While in Haarlem, I stepped away from the busy outdoor market in the church square and entered the vast interior of the church itself. Here is what I saw:
Saint Nicholas Day
December 19, 2011
Today is Saint Nicholas Day on the Julian calendar. When I was growing up, my family celebrated Saint Nicholas Day on December 6th (which is the feast day on the Gregorian calendar). We each put a brown paper lunch bag at our place on the kitchen table before we went to bed on December 5th. When we woke in the morning, the bag held peanuts and candy treats from St. Nicholas.
I saw this stained glass window of Saint Nicholas at the Christ Church Cathedral in downtown Vancouver, B. C. Saint Nicholas is the patron saint of sailors, and the window is a memorial to those Royal Canadian Navy who lost their lives in WWII. The interior of Christ Church Cathedral rather resembles an ark with its great ceiling beams of Douglas fir and ceiling of cedar planks. It was an impressive structure.
Contemplative Spaces
July 31, 2010
— from Wisdom Distilled from the Daily: Living the Rule of St. Benedict Today by Joan Chittister
St. John’s University was a beautiful environment, which fostered reflection and contemplation. It was the perfect place for our retreat.
“To empty one’s mind of all thought and refill the void with a spirit greater than oneself, is to extend the mind into a realm not accessible by conventional processes of reason.”
— from The Language of Drawing by Edward Hill