Pen-and-ink sketch of Queen Anne’s Lace in my Moleskin journal

“This was a big theme, and one I could confidently do:  the infinite variety of nature. . . . Van Gogh was aware of that, when he said that he had lost the faith of his fathers, but somehow found another in the infinity of nature.  It’s endless.  You see more and more.  When we were first here, the hedgerows seemed a jumble to me.  But then I began to draw them in a little Japanese sketchbook that opened out like a concertina.  J-P was driving, and I’d say ‘Stop!’, and then draw different kinds of grass.  I filled the sketchbook in an hour and a half.  After that, I saw it all more clearly.  After I’d drawn the grasses, I started seeing them.”
— David Hockney, from A Bigger Message: Conversations with David Hockney by Martin Gayford

Walking amidst a prairie of Queen Anne’s Lace at the Union Bay Natural Area in Seattle

When I was walking the loop trail of the Union Bay Natural Area amidst the Queen Anne’s Lace, I remembered an image of David Hockney’s drawings of hedgerow weeds that I had seen in A Bigger Message: Conversations with David Hockney by Martin Gayford.  So I checked the book out from the library again to refresh my memory.

Pen and ink sketch of Queen Anne’s Lace inspired by David Hockney’s drawings of hedgerow weeds

Now that my watercolor exhibit is up, I plan to go back to sketching and painting in my Moleskin journals, and my first project was capturing the lacy beauty of the Queen Anne’s Lace I saw on my walk.  The variety was amazing.  When I looked more closely, I saw that the little dark spot on the top of the white florets was not an insect, but was one miniature purple flower.  I’d never noticed that before. (Thanks, Wil, for pointing that out!)

One purple floret atop the Queen Anne’s Lace

Queen Anne’s lace pierced by a tall grass

The infinite variety of nature

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