My Life in 10 Objects: (# 11) Watercolor Paints and Brushes

“Every production of an artist should be the expression of an adventure of his soul.”
— W. Somerset Maugham, The Summing Up

My tubes of watercolor paints and brushes

A couple of my watercolor sketches in frames

“The question of what art is for has far too long been needlessly treated as obscure: it is to help us live and die.”
— Alain de Botton

After telling the story of my life in 10 objects, I realized that this mini-series was missing something important to me — an aspirational object, my watercolor paints, brushes and supplies.  These are the objects I hope to grow into.  I am prepared to spend hours with my brush in hand, palette at my side, paper in front of me — to play and practice and experiment.

Drawing and painting are more skills to help me slow down, pay attention, create beauty, play, and express myself.  So they are a natural extension of my other interests.  I aspire to become a better artist.

So now that I am truly finished with the story of my life in 10 objects, I invite you to share your stories — your 10 objects — in the comments.  I’m so curious about what your chosen objects will say about you.

 

The Artist and the Studio

Artist Susanna Bluhm with one of her huge paintings, Inscape Arts, Seattle

Inscape Arts is an enclave of artists and their studios housed in an old historic building in Seattle’s International District.  On Sunday, more than 50 artists opened their studios, and it was a privilege to sneak peeks at their work spaces and an inspiration to see their varied and colorful work.

Making art is difficult.  Making a living at making art is even more difficult.

“Making art now means working in the face of uncertainty; it means living with doubt and contradiction, doing something no one much cares whether you do, and for which there may be neither audience nor reward.”
—  David Bayles and Ted Orland, Art & Fear:  Observations on the Perils (and Rewards) of Art Making

It was heartening to see the Inscape artists working in such a convivial atmosphere.  The studios and their inhabitants form a community of kindred spirits, one where art making is valued, and their efforts are validated.  This coming together seems like a workable strategy to keep the loneliness of the artist at bay.

“Artists come together in the clear knowledge that when all is said and done, they will return to their studio and practice their art alone.”
—  David Bayles and Ted Orland, Art & Fear:  Observations on the Perils (and Rewards) of Art Making

Poppy III by Alisha Dall’Osto (Inscape Open Studios)

Jen Mills, cups with dimples

Alicia Tormey, encaustic paintings

Chris Sheridan’s studio

Chris Sheridan portrait (with the model, too)

 

 

 

 

 

 

On Any Day, Do Something

Watercolor sketch, tools of the trade

I was inspired recently reading these words by the poet Jane Hirshfield in Jeffrey Skinner’s book, The 6.5 Practices of Moderately Successful Poets:

“You don’t need to write every day, but you can do something every day that connects to and sustains your life as a person in love with words, images, music, stories, and what they can hold.  Listen with the ears of a language thief casing the mansion.  Cultivate concentration.  As you move through the day, notice one thing that you would not have seen if you were not looking with the questions of poetry in your ankles, knees, and tongue.  Remember a memorized poem in line at the post office.  Read something of substance before you read anything else in a day.  You don’t need to do all these things, you don’t need to write; only, on any day, do something.”

What do these words mean for me?

“I don’t need to paint every day, but I can do something every day that connects to and sustains my life as a person in love with images, form, pattern, composition, colors, and what they can hold.  Look with the eyes of a thief casing the mansion.  Cultivate concentration.  As I move through each day, notice one thing that I would not have seen if I were not looking with the questions of art in my ankles, knees, and eyes.  Look for forms and patterns in line at the post office. Read something of substance before I read anything else in a day.  I don’t need to do all these things, I don’t need to paint or sketch; only, on any day, do something.”
— with apologies to Jane Hirshfield

So this is my resolution for the new year.  To live a more artful life.  Maybe not to sketch or paint every day, but to sketch or paint more often.  To build a habit of art.  To give art prominent time in my days.  To feed my soul by visiting museums, learning the names of colors, experimenting and playing with tools of the craft, reading about artists and creativity, cultivating an attentive eye.  Slowly, slowly grow as an artist.